![]() ![]() Same with the individual who, for better or worse, most decisively defines film in the Nineties. We weren’t necessarily after the “greatest” film, “most creative director,” or “brightest star.” Rather, we asked, “Zero in on the film of the Nineties, from any nation, that casts the longest shadow for you, whether in terms of excellence, power, visionary quality, symbolic importance, influence, or epically destructive badness-this is entirely your call. This past fall, the editors, staff, and some friends of this magazine sent out letters to a blue-ribbon panel of critics, filmmakers, authors archivists-people with a serious personal and professional investment in film -inviting their selections of the film of the decade and the film person of the decade.
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